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May 15, 2012#

Mounted

I’ve finally been able to get some large work mounted onto a permanent substrate. I’ve avoided it for some time, since mylar is a rather petulant and mysterious material to work with. Many of the qualities that make it so fantastic to draw and paint on also happen to make it a nightmare to soundly display and preserve–particularly on a large scale. It’s been a tough nut to crack, but I’m really pleased with how it has ultimately gone up. I’m looking forward to putting the final touches on this piece and shifting focus to some new compositions.

 

May 11, 2012#

First/Last

“Years ago, when Bob and I were reading philosophy together–as a way of getting to know each other, really–we stumbled upon the formulations of a late medieval Neoplatonist theologian and philosopher, a mathematician known as Nicolas of Cusa (1401-1464). Nicolas has this wonderful way of talking about the difference between logic and faith or, alternatively, between knowing and truth. Logic, he suggests, knowing, is like an n-sided polygon nested inside a circle. The more sides you add, the more complexities you introduce, the more the polygon approaches the circle which surrounds it. And yet, the farther away it gets as well. For the circle is but a single, seamless line, whereas your polygon seems to be breeding more and more lines, more and more angles, becoming less and less seamless. No matter how many sides you add, no matter how closely the inscribed polygon begins to approximate the circle, it never reaches the circle, and at a certain point a leap is required, from the tangent of the arc, from endlessly compounding multiplicity to singleness of being. Another name for that leap, of course, is grace.”

I have been reading Seeing is Forgetting the Name of the Thing One Sees, a book written by Lawrence Weschler that follows over thirty years of documented conversations with the artist Robert Irwin. It is breaking my heart in the best way.

I think a lot about the cyclical and contradictory trajectory we are all on as artists. Always there is this pattern of building something up, only to arrive at a place where it becomes necessary to strip away; to get at the essence. But the amazing part is that the thing is somehow better for it. To have only started with the sphere would deprive the polygon somehow of its history and richness, though its surface qualities as it ultimately becomes a sphere may appear unencumbered.

May 1, 2012#

May Day

April 29, 2012#

Seedling II at Pro Arts

Seedling II is on display at Pro Arts Gallery in downtown Oakland from May 1 through June 10. It is showing as part of the preview exhibition for East Bay Open Studios, so it’s a great opportunity to check out all the art that’ll be in the rounds this year. Here is the official info:

What: East Bay Open Studios Preview Exhibition
When: May 1 – June 10
Artists’ Reception: Friday, May 4 from 7-9 pm
Where: 150 Frank H. Ogawa Plaza, Oakland, CA
(Free Parking on Saturdays in the Clay Street Garage at 14th Street)

Also be sure to check out First Friday this week at Swarm Gallery + Studios (MAP) from 6-9 pm. I’ve been busy ramping up for Open Studios so there’s lots of new work to share. Additionally Terry Furry will have an installation up in the studio common space with “live, ambient, far-out cello improvisations” from Hugh Fox, and Jordan Essoe will be doing a performance piece in the gallery. Please come by, say hello, have a drink, it’ll be a great time.

April 26, 2012#

Diptych In Progress

April 24, 2012#

Progress and a Class

I have the week off and I plan to spend plenty of time in my studio making headway on some new and old work. After a couple years of strictly using drawing materials, I’ve thrown paint into the mix again. I’m pretty excited about some of the possibilities it opens up within the scope of what I already have going.

Also! I started a welding and woodworking class, something I’ve wanted to take since college (but never found myself with any open electives). My grandfather was a machinist and my uncle a carpenter, so I am predisposed but have always been intimidated by the tools and the process and how to jump in. I mean, how do you shape metal? How does a nobby tree become a perfectly smooth, beautiful tabletop? I couldn’t be happier to get away from the computer for awhile and work with these basic materials.

February 22, 2012#

Weekend’s Progress

February 18, 2012#

Open Studios 2012

I’ll be participating in East Bay Open Studios this year. Mark your calendars for the weekends of June 2-3 and 9-10. Seems like quite a ways from now, but time just hurries on and I know my head will pop up off my pillow one morning and suddenly it will be here. So! Calendars. Mark ‘em. Many of the other artists at SWARM will have their studios open, too. It should be a great time! I’ll update with more info as the dates approach.

Here are some photos from the studio this weekend:

February 11, 2012#

Early Mornings

I’ve been trying a new schedule out for the past couple of weeks. I get up at 5:30 or 6am and head over to my studio for an hour or two before going to work at the ol’ chocolate factory (pssst, we’re not really making chocolate).

I enjoy mornings, even really early ones. Once I am out of bed, that is. Some days I don’t make it in, but I’m trying not to be too judgmental with myself about it. Progress, even in small increments, is progress all the same. In the past, if I felt I didn’t have more than an hour of time to spend, I’d skip going all together. But I’ve found that even if I don’t have time to settle into a flow, even if I only have 30 minutes that day, the summation of the week’s progress is still rewarding.

January 22, 2012#

Lately

January is breezing by, and it looks like the rainy season has finally caught up with us in the Bay Area. I’ve been busy at work, but am doing my best to chip away at progress on a large painting. Time is always a struggle!

Something I really love about January is hearing about everyone’s fresh outlook, big ideas, new ambitions. Amazing people in my life have launched some great new labors of love and ingenuity. Check them out!

Folk Fibers – Textile artist and organic farmer Maura Grace sources and creates beautiful, handmade goods that both progress and pay homage to the great tradition of American craftsmen and women.

Liberty + Lunch – Lover of life and food, designer Katie Inglis shares in all her adventuring, whether it be geographical, philosophical, or gastronomical.

Ink Meets Paper – Entrepreneurial couple Daniel and Allison Nadeau have launched a new website for their letterpress studio. Not only do they create beautiful products, but they take great care to share the story and process behind the projects they undertake.

Eureka Coffee – Photographer and all around amazing lady Jessica Caisse is gearing up to launch a mobile coffee cart that serves up brew from the best micro-roasters around. Um, yes please. Follow her progress and get ready to sample some amazing coffee, folks!

Rigamaru -  Chris Sasaki (the love of my life) and myself have launched a new online store for the little company that we began together in Portland. Art shows, collaborative projects, and new products are in the works, so it’s shaping up to be an exciting year!